good_girl@lemmy.blahaj.zone to Femcel Memes@lemmy.blahaj.zoneEnglish · 7 months agoOh to be a 20s flapper girl at a petting partylemmy.blahaj.zoneimagemessage-square9fedilinkarrow-up118arrow-down10
arrow-up118arrow-down1imageOh to be a 20s flapper girl at a petting partylemmy.blahaj.zonegood_girl@lemmy.blahaj.zone to Femcel Memes@lemmy.blahaj.zoneEnglish · 7 months agomessage-square9fedilink
minus-squareglimse@lemmy.worldlinkfedilinkEnglisharrow-up2·7 months agoI don’t think it’s fair to compare flappers to egirls. Flappers were a social movement pushing for gender equality! The stereotypical egirl feeds on the attention of men and flappers were notably independent women
minus-squareAwkwardLookMonkeyPuppet@lemmy.worldlinkfedilinkEnglisharrow-up4·7 months agoSome flappers were pushing for gender equality. Some of them were just out to have a good time. The equivalent of a nightclub hopper.
minus-squaregood_girl@lemmy.blahaj.zoneOPlinkfedilinkEnglisharrow-up3·edit-27 months agoReexamine your opinion on the e-girl subculture because I did not mean it derogatorily.
minus-square5714@lemmy.dbzer0.comlinkfedilinkEnglisharrow-up2·edit-27 months agoE-Girls aren’t what you might think what they are: Tran, C. H. (2022). “Never Battle Alone”: Egirls and the Gender(ed) War on Video Game Live Streaming as “Real” Work. Television & New Media, 23(5), 509-520. https://doi.org/10.1177/15274764221080930 | https://journals.sagepub.com/doi/full/10.1177/15274764221080930
I don’t think it’s fair to compare flappers to egirls. Flappers were a social movement pushing for gender equality! The stereotypical egirl feeds on the attention of men and flappers were notably independent women
Some flappers were pushing for gender equality. Some of them were just out to have a good time. The equivalent of a nightclub hopper.
Reexamine your opinion on the e-girl subculture because I did not mean it derogatorily.
E-Girls aren’t what you might think what they are:
Tran, C. H. (2022). “Never Battle Alone”: Egirls and the Gender(ed) War on Video Game Live Streaming as “Real” Work. Television & New Media, 23(5), 509-520. https://doi.org/10.1177/15274764221080930 | https://journals.sagepub.com/doi/full/10.1177/15274764221080930