

That game is S++ tier, even if you’re judging it on combat and class mechanics alone. It is a perfect game. Better than Skyrim. Better than Fable. I will fight you.
That game is S++ tier, even if you’re judging it on combat and class mechanics alone. It is a perfect game. Better than Skyrim. Better than Fable. I will fight you.
The article outlined reasons for that to be happening in Japan, and references India for similarity, it didn’t imply that that is a universal response to gender inequality, simply that the reason for that specific phenomenon in Japanese culture is likely because of gender inequality, which seems more than a reasonable conclusion to me, especially when you look at the 80’s business woman culture era and how there was a decline in that specific behavior.
Also, I’m very much not seeing what you’re saying about your interpretation of feminism being present in the article. Gender inequality is a thing, objectively, to address that as a part that plays relevance in any given context doesn’t require feminist values.
Kingdoms of Amalur was funded as a state tax write off and almost bankrupted Rhode Island, hands down one of the greatest games there has ever been.
Serious panel van with “free candy and hugs” on it kind of energy going on, there. I can dig it.