I mean, given the apparently obvious insider trading on those moves, a lot of billionaires will take the lesson that they should just cozy up to Trump even more and get in on the real profits rather than back off and not join the feast.
I think the idea is, it gets under his skin as intended, but Trump’s fragile ego means now he digs in even more when making terrible decision so he won’t “chicken out.”
Nichijou is Azumanga Daioh for the next generation. It’s been long enough, do we have a successor to Nichijou yet?
Gotcha, thanks. Maybe I’ll try watching - usually I prefer the manga but maybe it will help fill in whatever’s missing for me.
Yea, Inio Asano is my favorite manga artist. To the extent you view Urasawa as a predecessor to the type of atypical and non-linear storytelling that Inio Asano engages in, that’s a strong recommendation to me to give Urasawa another shot.
I’ll try Monster again, and enjoy hearing about him from someone who is a passionate fan.
Haha, ok! I’m definitely fallible, but each time I start one I tell myself, “Everyone likes this guy, he’s clearly a great artist, you must just be missing the point. Try again.” And each time my eyes glaze over by chapter 6 and I just can’t continue.
But in the interest of avoiding the trouble of armed (or poisoned) conflict, what’s your favorite? Maybe I’ll give it another try.
I can’t say I like Urasawa’s manga series much. The art always pulls me in to start it (Monster, Pluto, 20th Century Boys), but I quit reading after a few chapters because he’ll usually just create a premise, casually play it out, and not commit to the hard work of driving plot and character development in a way that engages the reader.
But I really love his documentary series on manga artists.
Here’s the one on Junji Ito, the rest are not hard to find online: https://www.youtube.com/watch?v=_0ZtMuCDlck
I was having a hard time imagining a worse reality than this one, thank you.